Who Gets to Define a City’s Story?

by October 9, 2026

Denver’s downtown is being shaped by competing narratives about growth, investment, safety, and recovery. The conversation offers a broader lesson for communicators: shaping public perception starts with understanding the reality behind the headlines.

A city’s reputation is rarely built from one story. It develops over time through news coverage, economic indicators, social media conversations, business openings and closures, development projects, tourism campaigns, public policy, and the everyday experiences of the people who live and work there. Those inputs do not always point in the same direction, which can make communicating about a city far more complicated than promoting a destination or celebrating a new investment.

Denver provides a timely example. The city’s downtown has been the subject of persistent and often competing narratives about economic recovery, public safety, development, housing, office vacancies, tourism, and the future of the urban core. Some stories emphasize the challenges facing downtown, while others point to new investment, returning activity, and the longer-term transformation underway. On October 15, the Denver Business Journal and Downtown Denver Partnership will bring together urbanist Richard Florida and Denver business and real estate leaders for “Reimagine Denver: Downtown Reality Check,” a discussion focused on the realities behind the headlines surrounding downtown.

For communications professionals, the conversation presents a useful question that extends well beyond Denver: Who gets to define the story of a place?

A Reputation Is Bigger Than a Campaign

Organizations often approach reputation as something they can actively shape through messaging. A new campaign can highlight progress. A press release can announce an investment. A social media strategy can showcase positive experiences. A public relations effort can put business leaders, community initiatives, or development projects in front of new audiences.

All of those things can influence perception, but none of them exists independently from the information people are already receiving.

People form opinions about a city through fragments. A resident might hear about a new development from a neighborhood group, see a headline about downtown vacancies, encounter a friend’s post about a new restaurant, and then walk through the area themselves the following weekend. A visitor may arrive with one impression created by tourism marketing and leave with another based on their experience. A prospective business owner may look at economic data while also talking to people who already operate downtown.

Those experiences accumulate into a narrative that no single organization controls.

That is why changing perception is rarely as simple as creating a more positive message. The more useful communications question is whether the message acknowledges the information and experiences that audiences are already bringing with them.

The Risk of Communicating Against Reality

When an organization believes its reputation does not accurately reflect reality, the natural response is often to communicate more aggressively. If coverage is negative, find positive stories. If people are concerned about a particular issue, emphasize the organization’s accomplishments. If a market is perceived to be struggling, highlight investment and growth.

The problem is that a message can be factually correct and still fail to be persuasive if it does not address what the audience is actually seeing.

Consider a downtown experiencing both significant investment and visible challenges. Telling people that millions of dollars are being invested does not make vacant storefronts disappear. Pointing to new businesses does not erase concerns about safety. Highlighting increased visitation does not invalidate the experience of residents who see something different. All of those things can be true at the same time.

Effective communications does not require choosing one reality and pretending the others do not exist. In fact, credibility often comes from acknowledging the complexity. A stronger narrative might explain where conditions have improved, where problems remain, what is changing, and what will take longer to address.

That approach may not produce the simplest headline, but it can produce a more believable one.

Cities Are Not Products

There is an important distinction between marketing a place and communicating about a place.

A destination campaign can influence why someone decides to visit. An economic development campaign can influence where a company considers investing. A real estate campaign can create interest in a particular project. But once people arrive, they form their own impressions based on what they actually encounter.

That makes place reputation fundamentally different from traditional product marketing. A city cannot be packaged into a single brand promise and delivered consistently to every audience. Residents, businesses, visitors, developers, employees, investors, and community organizations all have different relationships with the same place.

Their perspectives may even conflict.

That does not necessarily mean the communications strategy has failed. A city with a complex story should have a complex story. The goal is not to manufacture universal agreement. It is to make the broader picture understandable enough that audiences can see where their own experiences fit.

For communicators, that requires more listening and less assumption.

The Gap Between Perception and Reality Is an Opportunity

A gap between perception and reality is often treated purely as a reputation problem. It can also be a communications opportunity.

If people do not understand why a major investment matters, there may be an opportunity to provide context. If positive changes are occurring but are not visible to broader audiences, there may be an opportunity to explain what is happening and why. If a community has legitimate concerns about a project, addressing those concerns directly may be more effective than simply promoting the project’s benefits.

The first step, however, is understanding whether the perceived gap actually exists.

That means listening to the people closest to the issue rather than relying exclusively on internal assumptions. What are residents saying? What are business owners experiencing? What are journalists covering? What questions are customers asking? What information are employees sharing? What are community organizations hearing?

Sometimes an audience has misunderstood the situation. Sometimes the organization has failed to explain it. And sometimes the audience is identifying a problem the organization would rather not discuss.

A strong communications strategy has to be able to distinguish between those possibilities.

The Most Credible Story Usually Has More Than One Voice

Organizations can strengthen public narratives by recognizing that they do not need to be the only voice telling the story.

A developer can explain an investment, but a community organization can provide a different perspective on what that investment means. A business owner can describe changing conditions, while an economist can provide broader context. Residents can explain how a neighborhood feels day to day in ways that statistics cannot capture.

Those perspectives do not have to agree to be valuable.

In fact, allowing multiple credible voices into the conversation can make a narrative more believable. It signals that the organization understands the issue is larger than its own interests and is willing to engage with the broader context.

For public relations professionals, that can mean shifting from asking, “How do we tell our story?” to asking, “How do we help people understand the larger story, and where does our client legitimately fit within it?”

That is a more nuanced role, but it is also a more valuable one.

Reputation Belongs to the Audience, Too

The conversation happening around Denver’s downtown is a reminder that reputation cannot be completely controlled from the inside. Organizations can shape messages, build relationships, provide information, and create opportunities for positive stories, but audiences ultimately decide how those signals fit together.

That makes communications less about writing a story from scratch and more about entering a story that is already underway.

For cities, businesses, nonprofits, developers, and other organizations operating in complicated environments, the goal should not be to eliminate every competing narrative. It should be to contribute information that is credible, relevant, and grounded enough to help people understand what is actually happening.

The strongest reputation strategies do not simply ask how to get a better story into the news.

They ask whether the story being told reflects reality, whether the audience has enough context to understand it, and whether the organization is doing the work necessary to make its message credible.

In an environment where public perception can shift quickly, that distinction matters. Sometimes the most effective way to change a narrative is not to tell a different story. It is to help people see the existing story more completely.

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